I used mostly the pastel set of brushes for this painting. First, I started with a pretty bright sketch, figuring out where the dark shapes would be. Then, I tried to figure out where the warm and cool tones were, working loosely and at a small scale so that I can get the basic colors and shape down. Then, I adjusted with a very small size brush, making the portrait more accurate to the photograph. The person in the photograph that I used as reference is somewhat arbitrary, but I wanted to pick a photo that had pretty prominent lighting.

In this portrait, I used the wet brushes. Similar to the first portrait, I worked at a small scale and with a large brush to figure out the space and the color variation of the photo. This portrait was a little bit more difficult because I didn't like the impasto brushes or the oil paint brushes. I tried to figure out the oil paint brushes, but it was so blurry and weird-looking, that I had to stop and go in a different direction. I used the calligraphy pen brush set, and just tried to focus on color mostly, almost like I was using a pallet knife and trying not to blend or smear. It's a different way than I usually work, but I really like how it turned out. I feel like I was channeling some Lucian Freud and Stephanie Pierce.

Lucian Freud
Stephanie Pierce
Also, here is my little pixel bat: